Kevin Gover

The National Trust For Historic Preservation provides leadership, education, advocacy and resources to save America's historic places. The firm helps revitalize neighborhoods, communities, and spark economic development and promote environmental sustainability. The company was founded in 1949 and is headquartered in Washington, DC.

The Freer Gallery of Art and Arthur M. Sackler Gallery, the Smithsonian’s national museum of Asian art, are located on the National Mall in Washington, D.C. Committed to preserving, exhibiting and interpreting exemplary works of art, the Freer and Sackler address broad questions about culture, identity and the contemporary world. Together, the Freer and Sackler care for exceptional collections of Asian art, with more than 40,000 objects dating from the Neolithic period to today and originating from the ancient Near East to China, Japan, Korea, South and Southeast Asia, and the Islamic world. Nearly a century old, the Freer Gallery of Art also holds a significant group of American works of art largely dating to the late 19th century. It houses the world’s largest collection of diverse works by James McNeill Whistler, including the famed Peacock Room.

The Hirshhorn Museum and Sculpture Garden is an art museum beside the National Mall, in Washington, D.C., the United States. The museum was initially endowed during the 1960s with the permanent art collection of Joseph H. Hirshhorn. It was designed by architect Gordon Bunshaft and is part of the Smithsonian Institution. It was conceived as the United States' museum of contemporary and modern art and currently focuses its collection-building and exhibition-planning mainly on the post–World War II period, with particular emphasis on art made during the last 50 years. The Hirshhorn is sited halfway between the Washington Monument and the US Capitol, anchoring the southernmost end of the so-called L’Enfant axis (perpendicular to the Mall’s green carpet). The National Archives/National Gallery of Art Sculpture Garden across the Mall, and the National Portrait Gallery/Smithsonian American Art building several blocks to the north, also mark this pivotal axis, a key element of both the 1791 city plan by Pierre L’Enfant and the 1901 MacMillan Plan.The building itself is an attraction, an open cylinder elevated on four massive "legs," with a large fountain occupying the central courtyard. Before architect Gordon Bunshaft designed the building, the Smithsonian staff reportedly told him that, if it did not provide a striking contrast to everything else in the city, then it would be unfit for housing a modern art collection.